Claus-Steffen Mahnkopf will be celebrating his 50th birthday on 22 October “I am a composer who always continues working consistently, thereby. Together with the outstanding Australian oboist Peter Veale, Claus-Steffen Mahnkopf spent years working systematically on music for oboe. claus-steffen mahnkopf. FEATURED COMPOSER. Claus-Steffen Mahnkopf — Prospero-Fragmente. Claus-Steffen Mahnkopf — Kammerstück. Claus-Steffen.

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Mahnkopf worked as music theory teacher and as consultant for opera houses and he published many essays in musicological magazines.

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I write books and articles, so to speak, on the side. Depending on how you see this, you come to very different views. In Finite Jest indeed the text is already comedic.

Secondly, until recently I did not think that I ever would maahnkopf able to compose something humorous. Perhaps because a humorous piece surprisingly existed in my biography I was able to write a second piece of this kind, also with a very spontaneous inspiration.

Claus-Steffen Mahnkopf was born in MannheimWest Germanyand studied composition with Brian FerneyhoughKlaus Huber und Emanuel Nunes and music theory at the music academy in Freiburgwhere he graduated in Now that postmodernism is over, he will regain importance as a claux-steffen theorist. From Wikipedia, the free encyclopedia. Adorno figures prominently in both your compositional and scholarly work.

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Retrieved from ” https: In the last thirty years, of course, my access to complexity has changed. This page was last edited on 26 Novemberat Gaudeamus International Composers Award.

If this is now freely available via the internet, then that is a boon to mankind, especially in the countries where this music is hardly open to the public, which is the case in most countries.

How do you understand the concept of humor in music? I must emphasize this. And my music is of course not post-humanistic. That is a good observation. Views Read Edit View history. What do you see as the social implications of the increasingly prevalent dissemination of new music on Youtube and other online media? But essentially I remain faithful: What, if anything, are its larger aesthetic or social stakes? Firstly, humor and wit in music are rare, and seldom convincing. For his compositions Mahnkopf has won numerous international prizes, among them the Gaudeamus International Composers Award inthe composition prize of the city Stuttgart and the Composers Award of the Ernst-von-Siemens Music Foundation in I write because not everything I have in my mind can be expressed in music.

But first and foremost I am a composer.

By using this site, you agree to the Terms of Use and Privacy Policy. Of course, music should be played mhnkopf heard live. How do you understand the relationship between musical practice and theory, and how is this relationship reflected in your music? I, however, remain a humanist, expressivist, a friend of man and a defender of freedom.


Claus-Steffen Mahnkopf — Angela Nova 2.

Claus-Steffen Mahnkopf

What would be the alternative? In light of the proliferation of philosophies of post-humanism, why do you consider it important to hold fast to these concepts?

The reading of the score while listening is helpful, especially in difficult music.

New music is widely consumed through recordings. For the video, I have used a sample version. Absolutely — without agogics. And my writings are not comments about my music.

Amhnkopf Mahnkopf — Kammerminiatur. Claus-Steffen Mahnkopf — void — un delitto italiano. In a related vein, discussion of New Complexity has often centered around issues of notation.

Claus-Steffen Mahnkopf is 50 | Sikorski Music Publishers

For me Adorno is less important as a music theorist than as an intellect that permeates the world. How do you think about the relationship between music writing and musical sound? This biography of a living person needs additional citations for verification.

Was the philosophy of the end of man, modernity, art etc.